Martin Scorsese 's new film The Irishman , which makes its streaming debut today on Netflix , is another landmark achievement from one of the world's greatest filmmakers. The film is also a reckoning for Mr. Scorsese. The fact that The Irishman opens up with a long tracking shot (photographed by Rodrigo Prieto ) is a deliberate nod to Scorsese's -- arguably -- most famous sequence: the long tracking shot into the Copacabana from Goodfellas (photographed by the late Michael Ballhaus ). Nearly 30 years after that shot first dazzled audiences, Scorsese looks to be making an amendment to his visual thesis. Gone is the glory and glamour from the Goodfellas days. In The Irishman , melancholy oozes from the edges of the frame. Right out of the gate, we're introduced to the end of the road: a senior home where mob hitman Frank Sheeran ( Robert De Niro ) sits alone, awaiting his meaningless death. When this shot is juxtaposed against the Goodfellas shot showing Henry H
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